Tracy: Ready to talk dames and private dicks.
Natalie: There were quite a few dames in this
one--bookstores, cabs . . .
Tracy: I
know! "Night is better . . . I work during the day." Wonder if
Faulkner wrote that line. Like you, I thought I had seen this movie, but I
don't think I actually had (maybe read it with Forter?), but I really loved the
look and feel of it. The central mystery didn't concern me much, but the
clothes and the banter was so entertaining.
Natalie: I remember the car garage scene but I
don't remember having seen the rest of the film so maybe I saw a clip. Who
knows. But, yes! The look, the clothes, the steamy but not lusty/obscene
romance. Although, "What's wrong with you? Nothing you can't fix."
would probably have been a little risqué/suggestive. And the clothes. Sigh. I
love movies from the 40s.
Tracy: And I couldn't help but pay attention to the way Marlowe
(Phil?) was portrayed since I'm working on that Angel paper about hard-boiled
masculinity, and I thought this (even more so than Maltese Falcon) sets up
different versions of men that Marlowe bests--we've got the "General"
in the wheelchair, the effete type that Marlowe himself impersonates, the cops,
the DA, etc. And unlike Maltese Falcon, we get a romance that isn't a disaster.
The "femme fatale" in this movie is dangerous, but Marlowe sees
through her right away, and his actual match is not a danger to him at all.
Natalie: Yes! And his actual match not only isn't
a danger but also isn't just a wallflower or completely naive/innocent either.
She's got serious vices. But, he only has to save her from the mess he dug
up/wouldn't leave alone so it's not about "saving" her so much as
undoing what he did himself.
Tracy: That's totally true. It's a really interesting dynamic. I
loved how they both immediately were in on that sort of prank call. MAD
chemistry. Book says they were married six months after the movie wrapped. And
Jesus, Bacall was so pretty in such an interesting way.
Natalie: The prank call was so funny! You can see
how easily they managed that whereas it might have been a struggle if the
real-life people weren't so well matched. She was! And the actress cast as her
sister was just similar enough around the mouth to really look like her sister.
Tracy: And there was a lot of attention paid to that mouth! So
here's why the book says we should like it. After an anecdote about how
Chandler himself said he didn't really understand the twists and turns of the
plot (sounds like bullshit, but whatever), "The Big Sleep is a reference
to death, and indeed death pervades the movie. This is a film noir
masterpiece missing several standard film noir tenets. There are numerous femme
fatales, but no flashbacks; chiaroscuro lighting, but no voice-over. More
important, Bogart's Marlowe seems not lost in a world of lies and deception but
utterly confident and in control at all times. He's a droll antihero, cool in
the face of cruelty, unfazed in the face of wanton sleaze, and always
appreciative of a pretty face." So I agree with the last bit, which is
what we were sort of saying, but I'm not sure death "pervades" the
movie--there's a lot that's funny and the romance is life affirming. And I
don't think most of the women count as for real femme fatales. What do you
think?
Natalie: Ok, so yes, the part that we were
already basically saying but, no to the femme fatales. A woman in a noir isn't
automatically a femme fatale. What makes a femme fatale a femme fatale is her
ability to actually ensnare the man--there's only one woman in the movie who
actually does that. He sees straight through Carmen, isn't fooled by the
devious bookstore girl, just has an afternoon tryst with the cute bookstore
girl (we suppose--he could have just had a
drink), and has little to no interaction with the cab driver, the girls at the
casino, or Mars's wife. So, yeah, if they are femme fatale's they're not very
good at it. And, no, I don't think death pervades the film either. It's a crime
drama so of course people die but it's not like there are a lot of dead bodies
at the end of the film. And I don't think he's unfazed or he could have walked
about without trying to find the missing guy.
Tracy: Exactly. Femme fatales spread death wherever they go. Hence
the fatale. It's just Carmen, and she's sort of bad at it. And yeah,
"unfazed" implies he doesn't care, when he clearly does care about
the mystery (even after he's done what he was hired to do) and the Bacall, and
he felt bad about the little guy who got poisoned, which is also uncommon for a
hard-boiled detective. So I found it really fun and surprising to watch, though
I cared less about the mystery then Marlowe did! I say keep it if only for the
sparkage and how key that relationship is to the legend of golden age cinema,
but the movie itself is also interesting in lots of other ways too. So an
enthusiastic yes from me
Natalie: Agreed all around. I enjoyed watching it
(and that's always a HUGE plus with films on this list) and I think it says
interesting things about gender and noirs. Plus, I always love movies where you
can obviously tell the two real people are madly in love; Guess Who's Coming to
Dinner kills me for that reason.
Tracy: GOD I love that movie. Is that in this book? And yes!
Enjoyment is such a nice treat! Yay for Bogie and Bacall. Hope we get a few
more of those.
Natalie: Me, too! It's NOT in the book?! What?!
That makes not a damned bit of sense at all!
Tracy: I KNOW. Another tragedy.
Natalie: I can't imagine why that's not on the list and
some of the nonsense we've seen is. It's kind of a landmark race film whereas
Silver Lode is nonsense.
Tracy: I know! Silver Lode over Guess Who's Coming to Dinner.
They're madmen at the 1001 book office. But it looks like against all odds
(literally) we'll be enjoying two movies in a row. I don't gush all over Amelie
like some, but I do find it charming.
Natalie: Madmen. Hooray! I like Amelie better than most
of the movies we've seen so far. And I find it watchable which I can't say of
some of the films that I thought were ok to have on the list. Speaking of, we
can roll again if you like.
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